Nature Journaling and Field Sketching

A fun and challenging exercise! I really liked it, my first two (newt and sunbird) came out fairly wonky, but there were features I was happy with on both, and on my second two I started to feel an improvement - I was actually very surprised and happy that my Springbok start and finish point matched exactly!

There's an art to this, for sure. Slowing down helped!

My salamander was so sad.  I totally missed matching up the line so that his body was a tiny squiggle.  I improved with the bird, at least matching up beginning and ending and getting basic shape,  The bird of paradise flower was my best attempt, completing some of the points and bumps fairly accurately.  The springbok was a big blob with legs.  I did get the horns close.  Once in an art class we did this with a partner's face.  Turned out pretty quirky but fun.  I'm sure this is a good brain exercise which at my age I can sure use again and again.

My drawing would overlap a lot and the beginning did not meet the end but I had parts of each I could identify with the picture.  The limbs were always larger than they should be even though I imagined them too skinny.

This was a difficult, but interesting exercise.  However, focusing on the positive, I believe I was able to capture the essence of the figure.  This is a very interesting idea to focus only on the object and not on the paper.

The salamander was far easier than the antelope.  I suspect because of the wider variety of shapes and that the antelop was engaged in movement.

I found this exercise somewhat difficult, but valuable. It was hard not to look down at the paper to try to get the subject captured more accurately! But it forces me to look more carefully at the subject and try to notice the nuances of changes in the contour. I used full pages for each drawing - not usual for me. But I liked having the freedom of the whole page to try this exercise, which was interesting. I didn't want to restrict myself. Thanks for the challenge!

A very difficult exercise to practice. Needs a lot of training and focus with eye and hand coordination. In blind contour drawing the sizes are in abnormal scale and the start and end lines are not connecting at all. The contour drawing with imagination or from remembrance is easier to bring in paper than the blind drawing. here the eye focus and hand sketching are not coordinated, though the hand follows the eye movement. A good one for focussing, but needs a lot of patience and skill to connect.

Well this was an interesting exercise!  My first try of the newt was on a full sheet and he looked like Bart Simpson.  Trying a smaller version came out much better.  Fun!

Ok. This was a REALLY disorienting experience! I truly felt like I had an itch in my brain that I couldn't scratch- but at the same time, I certainly was more focused on the subject. After I did the initial drawings, I decided that I wanted to do a "memory coloring," too- so I just watercolored in each drawing however I remembered the colors from the exercise. Last, I went over the initial drawings in black to show the contour drawing better. It actually made a really pretty page in this notebook, even though that was not the goal. It just helps me see that even something as "imperfect" as a blind contour drawing can become a piece of       something I enjoy.

I think it was interesting......BUT wow.....really bad. I was trying to save my expensive water color paper so I didn't give myself enough room.....I will try this exercise again on a piece of computer paper. One picture per page.  Thank you brave people for posting your pictures!

Okay, this is really bad, but I enjoyed the experience! It was difficult to stay focused when all I wanted to do was look down (which, I'll admit, I did once!). The most difficult thing for me is connecting the lines coming up and going down. I laughed a lot during this exercise :D

This was fun and my drawings turned out better than I thought they would.  I did them quite quickly and when I looked down was shocked that they had alot of the features right.  Still pretty wonky but much better than I anticipated.

I've been practicing this exercise for quite a while.  It serves as a nice warm up when I want to focus, but let go at the same time.

I really enjoyed this activity.  Even though the springbok's body didn't join up I feel good about the front legs overlapping and the overall movement.

Hi everyone!  I tried the newt, bird, bird of paradise, and springbok too.  They turned out not so great, but fun to do.  I tried to blind contour a whelk seashell, Christmas tree, and a cardinal.  Thank you!  :-)  

I would rather paint Mallard drakes all day than fail at contour drawing! But this lamp was so funny I decided to include it. Looks like a fun house collection of desk stuff. More intricate outlines needed next time.

I loved this exercise.  It was freeing to focus only on the subject and not on the drawing.  I was pleasantly surprised at how accurate some of the contours were even if they were not in the correct spot or did not meet in the end. Fun and relaxing.  I will do more of these exercises!

I really liked this experience. I did OK, better on some than others. I noticed that those in the group who tried smaller pictures seemed to do better, so maybe I will try that next time. Focusing on what I did right was a great experience that I need to apply to all my endeavors! I was pleased that I usually managed to get the overall relative size and shape correct, if not the parts and their connections, and I was super happy when I ended up just about right where I started a couple of times. I figured out that if I mentally pictured the drawing materializing on my page before I started, I had a better outcome (like athletes picturing making the goal). I had the idea after doing the exercises to do the contours of some trees, because I'm interested in the variety of shapes of trees. I should have chosen a vantage point where I could see the whole trees in outline at a distance, but instead I went to a nearby nature center where the sit-spots were close to the trees.  No matter, I gave it a whirl, and while it was very challenging, I felt like I sharpened my perception of depth as well as subtle details about the trees, so yes, in that sense, the exercise helped me focus on my subject more. When my drawing went off the page, I just continued to imagine I was drawing until my pencil returned to the page!  I actually ended up thinking the rather abstract overlapping drawings were pretty--suggestions of trees. Thinking about how I might want to add color. Contour drawing in general has made me be mindful of  loosening my grip--relinquishing some [illusion of] control in exchange for better flow. Who knows, a looser grip might improve my drawing overall!

Wow - this was really difficult! I could not bring my starting and ending points back together, ran off the page at one point and my bird of paradise looks rather like a swamp plant.  Very interesting to note that my brain and hand do not communicate at all!  

Well I found it nearly impossible not to look at the drawing, some practice needed.

I enjoyed this exercise.  I think the hardest part for me was to keep my eye on the part that I was drawing at a specific moment and not look ahead too soon at the next part of the contour.  It kept me from staying focused on where I felt my pencil should actually be. Lots of fun!

I experimented with starting at different places on the image.

Well that was fun!  I found if I stopped to rethink about my line direction I lost context even though I did not lift my pencil off.  It would seem the trick is to stay focussed throughout.  I like my Springbok the best. I am happy with the front leg, neck, head, ear, antlers and back line through to the tail and back leg including hoof really well.  That's when I stopped to think about what I was doing and without lifting my pencil off, went off course somewhat!  You can see the 2 dark spots where I was resting my pencil. My own choice drawing was a bonsai in a pot which is very leafy and has no trunk line to view.  It looks awful but I am happy with the authenticity of the stick on the right, the leaves on the left and the shape of the bottom of the pot LOL!

I struggled with knowing where I was on the page. Definitely need to practice this strategy!

My drawings turned out pretty odd, except for the newt which wasn't too bad, and I had a hard time not looking down at my paper. I liked the fact that this made me notice details like the different in the number of toes on the newt's front hand (?) versus the rear.

It was SO hard restraining my impulse to look!!! The newt turned out better than I expected, I made the sunbird wider than it should have been, but the bird-of-paradise flower turned out okay, except for the stem which is narrower than it should be. The springbok however was a complete failure. I really enjoyed this lesson because it made me laugh and because it showed me how my eyes and my hand are not used to working together at this level! 

I was actually very pleased with how the drawings turned out. I thought it would be just a bunch of lines on a page. A fun exercise in concentration. Interesting to see how the drawings turned out when starting from different places on the page; left or right, bottom or top. The newt I started at bottom left, the sunbird at the bottom, the flower at the right and the springbok at the lower neck or left. Sorry having trouble uploading all four pictures    

I found this experience just a little frustrating but mostly amusing. It served its purpose, really helping me focus on the subject. I found the bird of Paradise to be the easiest probably because of its straight lines. I think that the more I focused on the details the further my line ended up from being enclosed.

Not peeking at my drawing was the hardest thing to do but I stayed focused on the lines and was surprised that my eyes and hand coordinated so well. This seems like a good practice to do to concentrate on the focus to really see the lines.

I can only manage half an image before my drawings collapse in on themselves. The Bird-of-Paradise at least has some 3-dimensional form.

I had my laughs during this exercise! Poor little Green-tailed Sunbird looks like a frog. I did a better job with the Bird-of-Paradise and Sprinkbok. Trying to imagine where the paper edges were was easier when I folded my paper into fourths.

I didn't do the Newt a favor, but I believe I did better on the Sunbird. I definitely think that this exercise helped me stay focused on the subject because it has you focus on details that you probably otherwise would've overlooked.

I've always loved contour drawing. It definitely helps you stay focused and is always fun, easy, and quick. For me, it helps just be with the process and disconnect from any result. 

It wasn´t easy because in many years of drawing, I never considered to do it with this method, and yes, it´s true, helps you focus exclusively on the subject, concentrate and appreciate the details slowly, but feels, or my personal perception, was a difficult connection between eye and hand at the same time, but I will put it into practice, its a very interesting, healthy and surprising experience, especially when you see the result.

yes- as funny as they look - it did help me stay focused on the subject!

This was a huge challenge! I found two tricks that helped: 1) I noticed when Liz was drawing she kept the fingers of her left hand on the notebook near the spine. I put my thumb and first two fingers down on the edge of each page before starting, and used them to "feel" where the top, bottom and a central part of the drawing should be. For instance, the top, bottom and end of the nose of the springbok. 2) I closed one of my eyes, and that helped me immensely with staying focused on the contour and not getting lost looking around at different places on the object. Not particularly proud of any of these drawings but I will keep practicing.

You’re right, funny! My newt at least had 3 legs, but my songbird looked like a dinosaur and my flower - we’ll sort of,  but my Springbok at least had spring!  my springbok has spring, and 4 legs!

The urge to criticize wasn’t as strong bc of how kind the professor was to herself. I found myself having fun with how weird it looked and joyful about some good spots in the drawings. An exercise in managing the urge to look as well having self compassion!

These exercises are some of the best of my first year of really exploring nature in all its glory!  I laughed at some of my drawings, and was amazed by a couple that really came out recognizable.  I'm looking forward to doing this just out in nature and even in my  backyard.

I definitely had to stay focused on the subject. I made an effort to find something I liked in each drawing. The plants I tried were too complex to have anything resembling the images on my page. I found it challenging to have proportions once i was working on the "second half" of an image; I would over shoot or overlap. Not sure what is going on there, I don't seem to be able to hold the place in space of the parts of the image. example, the two sides of the Springbok's legs.

This was a very difficult exercise for a perfectionist! I could not get anything to look even vaguely like that sunbird, though I tried 3 or 4 times. My newt, bird of paradise, and springbok ended more representational.  I don't know if this is something I would do for pleasure, but I understand the point of the exercise.

Yikes!  This was a challenge.  I can see this would be helpful in the field when you don’t have much time to capture the image.  Just get the shape and then the details as much as possible considering the subject may be passing thru

It was really hard not to look.  Not sure if it helped my focus.   I was hurrying so I could look.  The drawings for the most part turned out better than I thought they would.  I did two tries on the Springbok, though.

1. I had done this exercise before  in Liz's Bird Drawing workshop.  I realized that I wasn't following the contour with my eye, I was jumping ahead and drawing the shape that I saw.  That was a big difference.  It definitely helped me stay focussed on my subject

I found blind contour drawing helpful for capturing detail on the subject, but more difficult to capture scale and proportion.

I found the blind contour drawing quite challenging as I like to be able to look back and forth but honestly I did better than I expected I was. I’m actually impressed for the most part that my drawings resemble what I was attempting to replicate. I did notice that well I was doing this I was able to focus more on the pictures more and take in more details.

I tried to stay loose and work rather quickly. I think -seeing some of the posts and even my own efforts -blind  contour drawing creates an interesting art style! I wonder if what you are most familiar with is easier. The bird and lizard, which I have drawn before came out  closest to recognizable!

I find it somewhat frustrating to do blind contour drawing. I have to force myself not to reorient my drawing with the object. I'm sure if you keep practicing you'll get better, but I do like to glance at my drawing now and then. Doing contours of the four photographs was definitely easier than drawing a contour of the three dimensional flower I chose for my outside subject. (A slight wind didn't help!)

Scarey for sure!  But fun also.  Definitely funny at times but also some success!  Who knew you could do this!

my first experience was terrible. I made strange drawings but I noticed I nailed the lizard on the feet and the sunbird on the head

I tried the blind contour technique with the four subjects provided in the very nice photographs of the newt, the Sun Bird, the Bird of Paradise, and the Springbok. It was difficult and I tried my best to concentrate. I believe I did the best with Sun Bird and the Bird of Paradise. I drew arrows to indicate the parts that I thought I did best with the blind contour experience. 

Contour drawing challenges my need to be right. It is a difficult exercise for me but worthwhile because of the challenge.

It was difficult to not look at the paper and just stay focused on the subject.  I had to draw real slow to make myself stay focused on the subjects.  

My first try with contour drawing was an unusual experience. I decided perhaps drawing and shading the shapes while looking at them would help. So with my second try of blind contour drawing I felt it came out pretty good, except the springbok.

Never heard of this.   First art class - I read through the other replies and said umm - umm to all of the comments.  Flower, et all are really hysterical.    This requires more attention for sure.

My contour drawings resemble monsters. Second tries did not improve much. Gauging the distance of long lines throws me off. I did focus on the subject. I also took note of the "negative spaces," which might have contributed to my disappointing results. I'd love to hear tips and tricks, if anybody has some.

This was harder than I expected. I don't know how you guys who chose "thousand stemmed " cactus did this. Anyway, my amaryllis flower was good but it had a disjointed stem. The bird was the easiest and I was hesitant to try the springbok. In that position I felt like he might jump away any minute and I couldn't get him in action. He didn't. I had to forget his action and focus on his shape. Good lesson.

Strangely, the pictures that I thought were going to be the easiest turned out to be harder for me. I thought the Newt and the Sunbird would have been easy and turns out it was the one I had the hardest time with.   I can never seem to join my lines together...they are always way off..so much so that my puppy has no head!  Maybe I should have a different starting point!

I like blind contour drawing. The 1st one I do is always the worst one.  It's takes 1-2 for me to get the feel of things and keep the marks I make in perspective to the size/shape of the subject.  My results almost always both make me laugh, and then feel a little bit of skill coming in, when a contour gets pretty close to "right."

Very tricky exercise.  I tended to start out well with the shapes, and got some small details right, but never ended up back where I started.  I tried doing them going round in different directions, but not much different.  It will be worth doing more practice with this technique.

It was a difficult experience, I am more of a multiple lines type of drawing. however, some were easier than others. I had an easier time with the bird of paradise flower since it was composed of main lines. The Green tail sunbird was my second best. Not sure why the Orange spotted Newt was as hard as the Springbok. This is my first time taking a drawing class and I am learning so much. Very much appreciated. Le

This was fascinating.  I hadn’t done this type of drawing before and I found I would start in the upper left hand and work my way clockwise.  When I looked down I would find that the upper half from the 11 o’clock to the 3 o’clock would be fairly ok but the the 4 o’clock to 10 o’clock would be way more distorted, larger, and tilted down such that my lines never even got close to meeting.  I am gonna call it a night but I wonder if I tried to do the same thing but started counterclockwise drawing from the 2 o’clock position if it would have similar warping or opposite warping.  So cool!

Here's my backyard contour drawing.  I've done this type of exercise before, 20 plus years ago, as part of a drawing class.  It is a little funny to see the outcome, but it does help to focus the eye on the subject.  It took a bit of practice to get that focus.

This exercise was really hard for me. My eyes constantly wanted to shift down to the paper. By the fourth drawing I had better control at concentrating on the subject.  I also found myself rushing through the drawing. I will need to practice more so that I can control this.

Contour drawing is fun but actually it's a little hard because I get pretty tempted to see my paper and where my hand is. Even though it's hilarious at the end, it helped me to keep my focus on the subject and I noticed tiny details on the outline of it as well. 

This was a really difficult exercise. I found the most difficult part was knowing where my hand was on the page.  This meant that my end did not get back to my beginning.  I think I was able to do the curve shapes pretty well and some of the smaller details. But anywhere where there was a long thin part did not get aligned. I’ve  marked in red on my photo the places I think I did okay at.

I thought I was doing well but to my surprise I definitely lost it on the left side.  I think the blind contour drawing is a great exercise and I will continue to use it to improve my eye-hand coordination.

It seemed that I did better when I started on the top side of my subject. It also helped me to look at the negative space around the subject.

• This exercise definitely made me slow down and concentrate on the outline of the subjects. It was hard in the beginning not to look at the paper, but by the 4th subject I was so lost in the form I didn't mind not being able to look. My results were quite laughable, however, I could see part of each drawing that was spot on. These were usually the small details of the claws, tail or antlers. This was really fun.

I found this kind of like playing the piano, knowing where your hands are on the keys without looking, is like knowing where your pencil is with respect to everything you've already drawn.

Observations about this exercise with the four photos:

• Really need to think about matching my drawing speed with my observation speed around the boundary of the subject.
• Trying to coordinate where I'm drawing on the physical page with the composition and layout of the subect.
• Need to concentrate on both drawing speed in both horizontal and vertical dimensions across the page.

Chose a houseplant for the subject of my last drawing. My additional observations:

• Have to worry about parallax with 3D objects, especially if they are close.

yes it enhanced concentration and attention to detail.  hardest part was to get the volume, proportion and ends to meet!

My ability to gauge how far I've moved across the page is pretty limited.  I am wondering a bit about hand speed and beats of time as a way to improve, but probably there's also a lot of figuring out angles.  

I really enjoyed this exercise. As I went from photo one to photo 4 my drawings improved. I did the first two twice each and noticed that as I concentrated on the photo and drew areas that were close together I was able to get more accuracy. I covered the sketch pad with my copied photos so I was not tempted to peek. The more I concentrated on observing the photos the more accurate my drawings became. It was fun! 

I really enjoyed this exercise. As I went from photo one to photo 4 my drawings improved. I did the first two twice each and noticed that as I concentrated on the photo and drew areas that were close together I was able to get more accuracy. I covered the sketch pad with my copied photos so I was not tempted to peek. The more I concentrated on observing the photos the more accurate my drawings became. It was fun!

Very good exercise for focusing on the subject! I superimposed each contour drawing on top of the other, using colors of the subject that were harmonious with each other. The copper for the tropical bird didn't work, though, and looks grey. The outcome is a playful abstract design - and within the design one can see suggestions of a head-horn-ears, tail, and feet....Lots of fun!

The more often I practice this, the better I get at moving my eyes and pencil in concert. Muscle memory is definitely taking place.

I think I drew too quiuckly, but it was an interesting exercise, and made me look more closely at the outlines.

This was very difficult.

This was definitely a challenge and not natural (I accidentally looked for a sec on one...but I didn't see anything;) )! To tell the truth, the only one that I did decent on was the Springbok... but I did make sure to find the successes in all of my contour drawings! I will get better with practice. And good job to all that did this practice! :D

This was a fun exercise! I think certain subjects are easier to blind contour than others. If the subject's shape is continuous and flowy, I'll have an easier time drawing, like with the sunbird and the bird of paradise flower.

It kept me focused, that's for sure. But a bit frustrated--I thought we were getting away from long, heavy lines. My stuff looked like bad cartoons. I couldn't find a part that I did well (OK, being too judgmental here).

this was a fun exercise. it helps to keep things light and not take your work too seriously. I tend to get fixated on my drawings so this is a great way to loosen up and also work on the mind and hand connection.

This really forced me to let go and just focus on one thing. I think it'll be very useful for those times when I see a bird or animal and I know the moment is fleeting. I don't want to look away to draw or get my camera out. To be able to capture any memory during that brief moment would be very satisfying.

I did not do well with this exercise. My hands did not create a good image without looking at the subject. Bunch of scribbling actually. But I was focused on the images, so I guess that was somewhat of a success. I did do a good job on the feet of the lizard. lol

I think blind=contour drawing helped me concentrate. One aspect that was difficult was how far to go on a fairly long line. I found my eye jumping to the top; I think slowing the eye down and following that visual with my pencil will help make the drawing more proportional. I did pretty well with the overall shape, but 3/4 of the time didn't end up where I began. I felt good about the fact that I finished where I started on the springbok drawing.

I enjoyed the blind drawing.  Here are two examples of what I did.  This process made me concentrate on the every little bump in each picture. Suzanne N  

Loved this exercise. It removes any unhelpful self talk.

This was very difficult but fun. It shows to me how the brain functions. I tried to concentrate but found myself drawing fast.  Especially see that in the antelope drawing.  Difficult drawing the head.  I didn’t look either.  This was a difficult exercise but I actually enjoyed seeing hoe each one would look like.

this is SO hard! my beginnings never matched up with my ends! I was very focused though. and that's the point

This exercise helps me feel like a 4 year old again! It certainly builds empathy for the mental effort and concentration it must be for the kiddos to learn how to write and distinguish letters. This has truly built respect. So... my drawings made me laugh, even as I felt a bit of anxiety and vulnerability in trying to capture the weird lines and proportions. Something else this exercise did for me was to let go (a little bit) on trying to sketch perfectly. I thinks it has loosened me up to sketch more quickly too and lighten up.

yes, it helps to focus in the object

My bird of paradise flower came out the best even though my points didn't meet for any of them... Dragon fruit (cactus not fruit) on a dead tree.

Wow. This was extremely difficult. My first attempts bore little resemblance to the pictures. Successive attempts showed some improvement. I found it almost impossible to not look at the paper. I was not able to maintain proportions and come back the starting point. I found little in first attempt that I could say was close to what I intended.  By the 4th sketch, I was better able to at least end up with a decent representation. I could tell what it was.  This will take lots of practice. When I am sketching in nature, I usually will take a photo and then sketch from that.

Although the visual results were humbling, I felt the exercise has helped me see the entire object and think about what I want to include in a drawing in advance of putting pencil to paper. Although the drawings started well, I soon lost a sense of proportion on the page as I tried to move my hand away from the start. I had to be absolutely focused as my mind's eye tried to transfer visual input into hand movement.

Blind contour drawing is something I've never been comfortable with. All things considered I think my drawings turned out pretty well. I tried to focus on the subject and plan where I wanted to start based on where it seemed the best connecting point would be. My attention was on the shape of the subject and the scale it should be on my paper space. It was interesting focusing on connecting the motion of my hand to the visual input from what I was seeing. The process did make me feel more focused and connected to my subject.

This was fun, and after the first one I had to tell myself to slow down.  By the third one I was coaching myself to really pay attention to the outside lines.

I had problems connecting the beginning and the end of the drawing. It is hard not to focus on doing it 'right' but I do think it helps you focus on the subject. My best attempt was the Bird of Paradise.

This was a neat exercise - yes it did help me focus on the subject, and only on the outline and contours.  I was surprised that I was able to capture the general form :)

This exercise really made me laugh, and I had to concentrate because I wanted to look back at my drawing to see "where" I was on the page. Most difficult, finishing the drawing at the same spot I began.

Had a lot of fun and a lot of laughs looking at the ‘finished’ drawing. Took my time, lots of focus and intent.

Contour drawing helps in looking closely to object. I found it easy it is an 2D object. Especially if it is flat. Yet, rounded and curved object was a bit challenging to draw from image. As for taking it to the outdoors, the first trial with my pot of cactus was not a success-erased it. I attached the second trial which depicted the contour line of the cactus in pot. The below are the drawings for the images in the course.   My trial drawing the cactus in pot.

This was a fun exercise! I was surprised by the results (it made me feel close to a 5 year old child drawing :) It helped me stay focused on my subject, yet I had to resist the temptation to look down at the paper. I tried this a few times, to see which was the best starting point. The hardest subject to draw seemed to be the springbok. I got the feeling that, overall, this exercise improves with drawing and drawing...!

It was difficult to avoid the temptation to look down at the paper.  But once again it forced me to slow down and focus, which is the point of this class, for me.  I also experimented with drawing counter-clockwise/dominant hand, clockwise/dominant, and clockwise/non-dominant.  It didn't seem to matter much for this exercise, but slowing my eye focus was key.  I was kind of relieved when I got to the feet of the springbok and saw they overlapped and I didn't have to go all the way up and down the legs!  

I love this lighthearted exercise.  Yet it is also fascinating to trust my senses to guide my hand and see that some things are scaled properly. That was a complete surprise!

It was good for focusing. I was hard to do with lines that were near each other, like the legs on the spring bok. Parts of my drawings were OK but others were not recognizable.

Interesting exercise, very different from anything I've tried before. I was so worried to forget where I was that I might not have focused enough. Not sure. But it was fun!

That certainly was a test and amusing for sure.  Not posting my attempts.  I did fairly well on the Bird of Paradise I think because its lines were straighter.  the other three were well, lets not discuss.  Can definitely see where this skill would be usefull in the field.  Great exercise and I am going to keep trying!

Oh my, this was great fun, because I had no expectations of the drawing being any good! It was so HARD to not reflexively look at the paper, but I did it, even when I wondered if my pencil lead had run out. And yes, it certainly helped me focus on the contour of the subject.  So far I have found NOT-blind contour drawing (vs. "short and sketchy") easier. I'm not sure why. It somehow keeps me on track or forces me to look more at the subject? I was surprised that I kept the "parallel" lines in the newt's tail, narrowest flower petals, bird tail, and springbox's legs "together."  And on a few drawings, I nearly ended up where I started! Hilarious and fun! Now to find something out in the yard to try.... ?

I was so proud of not looking down.... then at the end, when I did look down, I almost cried with laughter. A fun and interesting experience!

This is definitely harder than I remember it being when I tried it years ago. At that time it was just a warm up exercise. I can see that it will be a great tool for quick sketching and that is motivation for practice. This was my third try at the newt.

My drawings were barely  recognizable. The seemed to want to be something squashed more than to be a newt, flower, and a sunbird. 

Yes it helped.

The plants were definitely more difficult for me than the animals. It did help me stay focused though and not get lost in focusing on a specific detail too soon.

This was scary, and I admit I cheated by looking up now and then...I really could not just let my pencil roam over the page. But I'm going to keep practicing blind contour dwg, because I think it'll help allay my fear of not being able to draw well. It really did help me focus on the subject though. And I had fun going back in to correct some of the shapes afterwards, and note what the colors were. Great challenge. If anybody reads this, can you tell me how to post my drawings/sketches. Do I take a photo with my Iphone camera? And then do what to "insert image"? Sorry to be such a luddite. Sylvia (sylsbach@yahoo.com)

It was hard! I made several attempts, it was hard to keep the proportions right.

Too bad to share. This so hard for me. Horrible spatial perception at the best of times. But jolly good fun.

An amusing exercise :-) My squiggles look more like road kill. I certainly need to sharpen these skills: a sense of time - how long it takes to cover distance with the pencil - and spatial perception - where is the start of this thing again?!

Contour Drawing by itself is not my favorite, however after I completed the exercise, I used the contour to complete the subjects and I was surprised at how well I was recording the blank space.  This helps a lot with getting the prospective as it really looks and capturing some very good detail.  I hope the focus on my subject will result with being able to capture the bird's movement faster.  If I can get the outline I should be able to fill in the detail.

Not sure that I get the point of this. My drawings were not uninteresting, but were rather odd. Yes, they forced me to be focused on the subject. But again, why do this? If there were positives in what I drew, they escaped me. Weird.

I have done this before, and I enjoy the meditative aspect of focusing on the subject, and the life in the drawing. Scale, beginning and ending, making parallel lines parallel, etc. all difficulties of the process were mine as well. This exercise does make my regular drawings more real, and gives a way to draw moving animals and be relaxed about it.  I have been drawing from phone pics, so this helps with relaxation, and establishing the intent as something other than a photo perfect picture.  My more "perfect" drawings are great, but take a lot of time, and have put me behind in my hopes for daily journaling.   This helps me get back on track. I have loved following the fabulous gifts of spring through all the flowers and birds in my journal.  It is a perfect antidote to Covid, sheltering at a distance or at home blues. On to moving creatures!!

It was an interesting exercise. I was surprised that even if  they are awkward, the drawings seem more alive and the movement is expressed. 

Found it an interesting exercise. With too images I missed to connect the shapes; Bird of Paradise Flower and the Green-tailed Sunbird. While with the Newt I had a mind gap -I just wasn't sure where was I- and the sketch ended up with a bubble booming out of it! I was shocked because I completely missed with the Springbok (check #1) I thought it was easy and I doodled it with one line but it turned out to be a complete failure - couldn't accept that and so I re-sketched it with the blind contour technique and I think I did well :) I didn't know how this would help me - However, it affected my mind while working on the next exercise. Also, this morning, I noticed my sight memorising and looking at the shape of the birds instead of the details. (usually I look at the details before the overall bird. So, I guess this will help and develop my sketching skills. )

Contour drawing helped me focus, but made it harder for me to draw

Blind contour miles ...... someone said you have to put in brush miles, or pencil miles ..... do it and keep doing it .... we will all get better.

Contour drawing requires absolute concentration. I try to go a specific distance to match a spot on what I am copying ..... doesn't always work, because I lose focus on how far I move my pencil. Becoming more proficient would allow me to get a more accurate sketch of creatures that are only still for moments.  Definitely helps me to stay focused  

I first tried my hand at blind contour drawing in a painting class I took a few years ago. It was fun to try again. Here are my samples, which hopefully are recognizable. :) As others have done, I found it interesting to mark the start and end points after the fact, and to call out spots that looked reasonably close (though those notes aren't all visible in the photos).

Contour drawing has always been this meditative process for me but it still looks the same as when I was doing it in junior high!  I finally went for the pot of geraniums in the middle sketch,but who can tell. It does teach one to slow down,observe and draw what you see not what you think you see.

fun!  I've been away since February 19, and it feels good to be back!

Yes it really helped me to stay focus.  I did the exercise a couple of times and found that as I focused more and slowed down I got better.  My own subject turned out the best, but I did it last.  I was impressed that my huge gaffes were with lines that were supposed to be more or less parallel. Without the visual feedback getting those right was difficult and threw off the rest of the drawing.  I really appreciated doing this as it showed how focus can help direct my hand without the visual.  Thank you.

Contour drawings make me laugh when I look at them! I do think they will help my observation skills especially if I did more of them or did them before every drawing just for fun.

This exercise was very interesting, since even when I can look down at my drawing, I always seem to need to work harder at scale and symmetry. I was more focused on detail with this drawing than I would have otherwise been. I will need to practice more at being patient and not rushing ...

Great exercise, I seemed to consistently have a problem connecting the top form of the subject with the last part of my drawing. I start big and end with a smaller drawing - my brain can't seem to conceptualize and make the connection of 'how big' is my actual drawing. Very challenging!

Great exercise, I seemed to consistently have a problem connecting the top form of the subject with the last part of my drawing. I start big and end with a smaller drawing - my brain can't seem to conceptualize and make the connection of 'how big' is my actual drawing. Very challenging!

Wow! I felt a bit intimidated by doing this exercise but I definitely see the need to focus on the subject & have the eye & hand connection/coordination. After doing the first one, I felt a bit more at ease, but by the time I got to the third one, it was a bit more complicated because I got distracted with the background. The fourth one was hard too, especially with the legs because I was thinking that I needed them fairly close on the page as I was trying to focus where my eye was on the subject. I will be doing this exercise a bit more during my journaling practice. It was kind of fun after seeing my results. Thanks Liz for sharing this exercise.

That was fun! I'll have to see if the grandkids want to try it some time. My problem on the Newt and Springbok was getting back to the starting place. The proportions weren't too bad. Not sharing though!

It was fun with some laughs, I enjoyed the contour drawing. I also agree that it was challenging along with realizing that I have done short segments while drawling before, but not with a long period of time. I did notice that I even probably did some of it to fast; I would speed up then try to slow down and focus. my lines went off the paper on a subject I picked out (daffodils) in a glass of water to draw which forced me to look at the paper to get back on track.

This was fun and a challenge, I have tried two animals, at the beginning I was having a similar shape, then I struggle to draw the legs of the animals. By drawing them I had lost my focus

It helped me stay focused on my subject but it also revealed my hand by itself has no sense of proportion, balance, beauty or function-following form :))

I probably went too fast--my hand wants to finish lines--but this was instructive and I did find that I was able to catch strong descriptive contours.

Like Heather, my return lines drawing right to left were short when drawing from the photos. It was different drawing live; there, I ended a couple inches below rather than to the right. My drawings very consistent. Consistently looking nothing like the object, as well, but they had essentially the same good and poor points and finished in the same place relative the the start. Fun!

This was a challenge but overall I learned a lot. I learned mostly that no matter how weird the final outcome turns out, we can always find little successes. I'm going to take this lesson with me in the rest of my sketching. It gives me freedom to just draw and make mistakes but end with always looking for the details that were a success. I surprised myself with the small contours that I got right even if the overall drawing looked strange. A good life lesson too I think.

It was almost fun! I discovered if I fail at nature drawing I could at least draw some really abstract pictures! Jokes aside, I think its a great exercise to help focus attentively on a subject, since your eyes need to do a serious job of tracing the edges of the subject

Getting proportion right was really difficult. It was hard to keep my eyes and my pencil in the same place and moving at the same speed. I did each of the examples 3 times (well 4 for the bird) and in 3 out of the 4 I liked my 3rd try the best. With the bird of paradise, I am OK with both my first and third tries. With the sunbird I liked my branch on the third and fourth times. The springbok is just hopeless. I'll be trying that a few more times. I'm looking forward to going outside tomorrow (it's dark now). If the weather doesn't cooperate, I have taken some pictures and I have some houseplants inside. It has been a long time since I drew or painted, but I am enjoying this course.

I remember doing blind contour drawing in a class I took many years ago. I agree with others that it’s so challenging NOT to look! Maybe if I gave myself more space on a single page for each, these might not have been so ‘off’! Interesting and fun observation exercise.

It sure was a challenge  with the multiple subjects,  good for going,

This was difficult and my drawings certainly had a modern art component. I was most successful with the bird and least with the salamander.

I think that the most important part is the experience, not the result.  You have to stay focused to move your eyes and hand at the same time, and sometimes its difficult.

Well I tried to focus on the subject so what happened was that my perception of where my hand/pencil was on the paper was so off!! LOL my springbok turned out looking like maybe a buffalo with a trunk!!!  It was also hard not to look at the paper...will do a bit more practice with this one outside.

I'm not sure it helped me stay focused on the subject. I found myself thinking a ton about the lines. I was watching my subjects intently but I could immediately tell that it wasn't really going anywhere. My bird of paradise flower wasn't so bad, but mostly I'm not sure I found this helpful for my journaling in general, but was an interesting exploration of hand-eye coordination without looking down at your hands.

Not my best work! My newts were more like seals. I started drawing from the left top of the picture and found that my lines left to right weren't  quite  so bad but following from right to left along the lower edge were  not good.  Then I tried covering the left eye - result quite bad, but when I covered the right eye the results were surprisingly reasonable. I am right handed. I've learnt something about how my eyesight affects my co-ordination, so will practice taking this into account also.

Whoa! I thought I was doing okay, until I looked down! I noticed that the activity was different when using the photos versus an object right in front of you. The photos already blur the depth and you can focus on the lines. In person I did a snake plant. I had to adjust my eyes to follow just the outline, changing field of depth. At one point I had to keep on eye closed to stay focused on the line. I feel my best test was the newt. I like my feet, the eye spot, the curve of the trail and connecting the back leg.

Picasso! :)

I always feel awkward doing these exercises. But it does make you look closely.

It was really difficult to not look down. For the whole entire time that I was blind contour drawing, I had the urge to look down and see what I was drawing looked like, but I ended up stopping myself from doing so, which I'm really glad about. I really liked this challenge, and like others, the end result was quite... interesting. I was very satisfied with the green-tailed sunbird, because I actually got the lines to meet, but I ended up making the head look like a square, which looked really funny, since the actual bird has more of a rounded and not a rectangular head. Overall, I thought this helped me focus on what I was drawing, but it was pretty difficult, and I hope to improve!

Yes, it helps you focus on the subject but this is a rather difficult exercise for me.  Need lots more practice!

I will refrain from putting my four images up. Too embarrassing, but I will suggest that it is a very hard activity, especially not peeking at all. I can see the merits of doing it. Perhaps doing it a few times will be beneficial overall.  I will try that.

I circled some of the parts I liked ! Tried a bit more detail in the last one .

This was a funny exercise!  Coming  back to the starting  point was the biggest  challenge. The larger the size of the drawing, the  more difficult it becomes ..  I had also very different results when I made the contour drawing clockwise or counter clockwise..

Total disaster!!!! Hahahaha

Stayed focused YES.....the drawings NOT so good.

Boy, I really stink at this!  Stopped putting the images in my journal as I have done several tries at each.  Got a little better but not much.  But I do agree that this is a fine exercise to establish that eye hand coordination.  Will continue to do this regularly.  Found the plant to be the easiest, all others pretty hopeless.  The first line is OK but coming around the form is not.

My 2nd try on the newt was surprisingly not-too-weird. Not gonna share that springbok, tho.

I expected the sunbird to be the easiest and springbok to be the hardest, but my sunbird came out the worst and springbok the best. Look at that blob bird! I think I did a good job on the springbok's hoofs

I feel that this blind contour made me focus and slow down the drawing speed very much. Blind contour in a single line produced some unrealistic drawings. But without looking at the draw that much, quick glimpses, I think I was able to produce some good images. Even the main darks and lights in the draw was quite easy to do. Starting with contour blind and them make a few corrections to the draw almost without looking creates reasonable drawings. I add a picture I made in blind contour of some animals, that were "cooperative" a caterpillar, a damselfly and a Mallard duck.

I need to slow down; take my time; not rush and keep my eye on the subject.  I will keep practicing this exercise.  It also matters whether I start from the left or from the right.  I am right handed but I do better starting from the left.  I took a botanical art course and I love nature; I am outside in the woods every day; I love to garden so I have lots of subjects to draw and take notes about.  Break up of winter with snow on the ground to April and no snow with the same subject.  Green shoots coming up out of the ground.  Birds at my feeder.  I will never be an artist and the more I draw, the better I will get. I am journaling every day.

I did all four and as a few other people said, I preferred looking at the image.  I could have tried the looking and not picking up my pencil as someone suggested.  They came out so light because in the blind contour I was drawing with a light touch I guess.  I am only uploading two of them although I loved all the images. 

I did the contour drawing not looking at my hand or the paper at all, and predictably, they were pretty far from the real thing.  I think I need to do this every day to get it right.  No fair erasing...

Still unable to upload images. I get a message to check format and size. My images are jpeg and less than 10MB as required. Still not loading.

This was challenging.   I was able to capture a good likeness of the newt but there were major distortions for the other three.  Even as I was defining proportions in my head, I was not making the appropriate decisions.  I think that having the discussions in my head as I devote more time to observing the organism while looking at my drawing will all be essential for success.

Here's the Eastern Red-spotted Newt with contour and glanced at sketches.  I see this species of newt every spring at our camp in Upstate New York.  They are like fairy creatures, so tiny and cute.

I found the contour drawing project fun to do.  Years ago I taught elementary school age children drawing at a friend's art studio and we always started with blind contour sketching.  Another nature journaling artist seen on John Muir Laws art videos on YouTube said she started every drawing session with a blind contour sketch of her hand.  My newt and springbuck blind contour sketches are pretty off but the bird and flower aren't too bad.  I also included a sketch of each photo with glancing at each picture. I really enjoyed this project.

This was a very good exercise to improve hand/eye coordination!  Whew!  I was constantly erasing and adjusting to make the proportions better.

Yeah I think that help to focus

I don't really see the point of blind contour. I think you can just do contour, not raising your pencil, but glancing down at your drawing occasionally to keep yourself centered and still strengthen your eye hand connection. Here is my newt blind and with glances. I like not raising the pencil and even just continuing into the interior of the subject.    

Blind contours of the red newt and green-tailed sunbird.  Still feeling rusty with the contour, but had a great time at the New England Aquarium the other night trying to capture my favorite lobster at an event using microns and watercolor.  I just can't seem to capture the blue one though. :(  

After doing the course photos I decided that plants were easier to capture than animals.That did not prove true when I tried doing the horse and dieffenbachia. Both were difficult to contour draw. I tried using one finger as a guide to where I started but still had a hard time closing the gap. Legs were especially hard as the lines kept crossing over though the shape of them was there. Some of the points and curves of the plant and the mane of the horse captured the feel of what was being drawn. I think this will be an important part of what we are doing when trying to capture motion.

I did all the contours on top of each other in different colors, so it makes a very strange picture.

I felt that each animal was decapitated when I tried blind contour drawing, I can't get one end of the drawing near where I started.  Means I should perhaps focus on proportions better.  After i tried some trees outside and this was more successful.  They still look like abstract, but the essence of the tree is there.

Ha! This assignment made me laugh. You have to have a sense of humor about your work and this assignment definitely helped loosen up. Besides the humor, it definitely helped me stay focused on my subject. It was hard to resist the temptation to peek at the page, though.

It was a fun exercise.  I am experience at drawing, but have never really tried blind contour drawing.  I think I’m going to take my grandchildren out this week and teach them blind contour drawing.  We should get some good laughs.

I did not find this technique helpful.  I do not think it enhanced my observation skills .  I was more concerned about getting the shapes right instead of focusing on the subject.  I also felt very disconnected with where I was on the page and how to connect the lines so the body or plant shape would be whole instead of in separate pieces. I feel that I am able to concentrate on what I am observing in the natural world so did not find this enhanced my connection.  

I have a hard time drawing period, this exercise was hard because I was all over the place when I didn't look at the page at all.

The springbok was my favorite.

This was hard. It seemed to be a matter of trying to match my mind with what I was seeing & it sometimes felt that timing was out of whack between the two. Will add the Springbok with next reply.  Felt the Springbok was better & that the bird of paradise flower was the worst - which is frustrating because one of my best large paintings was a bird of paradise flower. Good thing I didn't have to not look at the canvas LoL!

Yes it is an interesting exercise. I have not gone outside yet to try it.  But I did sense that I was spending more time looking at details on the subject rather than just trying to get the general impression on paper. It will also be interesting to see how this ties in to "sketching" which seems to lend itself to capturing general impressions rather than structural details.

In general, I want to try to spend more time looking at the subject than the journal page, so this was a nice exercise to reinforce that habit. What I liked best was finding the angles of the negative space around the various subjects and observing that and trying to make the mark on the page with confidence.

I do think contour drawing helped me stay completely focused on the subject, but I had no sense of where my hand was on the page or where the beginning of the drawing actually was. Because it is so cold outside, I sketched a birch tree. Again,  I was unsure of where the drawing had actually begun but the overall shape wasn’t as bad as I thought it would be.  

Definitely helped me stay focused. My mind drifted even after a short period demonstrating my lack of focus which I need to improve. Good exercise. I learned much especially that I can actually capture some parts without looking at the paper!

This was a lot of fun. I didn't go outside because it was freezing out, but did the given examples a couple of times each - not perfect but I liked the way worked - I did add the branch and eye of the bird post-exercise...I also did it in my regular notebook because I thought it would be a waste of paper - but it was not.

After doing these exercises, it was apparent to me that steady and  SLOW  is the key.   This morning I took more time to do the blind contour and I think it's a noticeable improvement. 

Blind Contour of a Succulent.  I like how focused I felt during the exercise

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I had a lot of fun!!

I must say I produced some very abstract art here :-). But I will keep trying!

This exercise was more successful than I anticipated.   I found that I make somewhat fatter bodies than the pictures.  Being aware of this is very helpful.

I thought it was a piece of cake..haha..and the results are pretty funny!

Very difficult. All my contour drawings looked like amoebas and never really improved.  It did help me stay focused.

Wow!  That was different and quit difficult.   My first two were barely recognizable, the nest two MIGHT you might have been able to ID? Great exercise however and I was able to pick out something that made me say "oh, that looks a little like that part of the original"  Very cool.  Thanks.

• I really love this technique. It is very fun and is helping me so much. This is actually my best one.

Questions: Why does my pencil speed change? Should I move my arm or my hand? Does peripheral vision of the drawing affect the outcome? Does keeping the notebook firmly planted on a tabletop help?

I'm having trouble believing that some of the posted images I'm seeing here were done blindly.  This was, and I'm really enjoying this exercise! Eye-hand coordination has always been my issue, and I've learned that it improves with practice and training. So this is a very good exercise for me. I also learned this time, as I'm left-handed, to start on the right. And yes, focusing on the subject really helped get the essentials right, even if the drawing turned out awry. Practice makes perfect!

As part of this section I am practicing sketching using my Sibley field guide in an effort to get shape and color, also objects from around my location outdoors.

I have enjoyed this section. I attempt the blind contour sketch and then attempt an eyes open sketch. I follow this with lots of questions and then research the answer. So far I have done the Eastern red newt and the Green-tailed sunbird. I found it very difficult to get the colors correct on the bird.

I found this to be so valuable!  My final sketch already was a lot better than my first.  I can see how practicing this would help train my brain to "talk" to my sketching hand in a better way.  I plan on continuing to play with this technique.

This was an interesting exercise.  I found that not looking at all really helped me focus on the small details in contours. However, I found checking in a key points to see if I was close to where I was supposed to be helped me to both focus on the subtle details and complete the image.

I found this interesting. Yes, it did make me focus completely on my subject.  The drawings were not as off- base as I thought they would’ve been. I’m so enjoying this class. It’s such a great opportunity to really learn HOW to nature journal. Liz is such a fabulous instructor. She’s so encouraging!

I can see that these warm up activities can help me get comfortable.  Each session should start with some warm ups.  

I recognize the value of such exercises, even though it's humiliating to be so off mark! I'm amazed how close many of the rest of you were in your drawings.

I liked this exercise.  I remember learning to draw in elementary school using a similar method and I remember using this to draw maps way back in the "old days".  I think I did better on the Bird of Paradise than the animals.  I wonder if this had to do with not having a "picture" in my brain of what this flower looks like.  I know what a bird and a lizard look like and wonder if my brain was able to follow my eye better because I wasn't competing with an image stored in visual memory already.  Hmmm...

Not moving my eyes away from the subject was difficult.  I did find if I was able to glance to the paper a bit I did better but I know thst is not the point. I'm wondering how I can improve. Slow down? Practice?  The newt I drew did not attach correctly in the end and ended up headless. The Bird of Paradise flower was very primitive, the othet two were better but not by much.

This was an *interesting* exercise. Of my nine blind counter drawings, the Eastern Red-spotted Newt most resembled the photo while the other drawings (four Green-tailed Sunbird, two Bird of Paradise and two Springbok) were each similar to themselves but not so much to their photos. (Consistency between same items, but not to the originals!) On the final drawing (of the second Springbok) I experimented with a different hold for the pencil. Rather than holding like I was writing, with the pencil on an angle, I held it more upright and with a loose grasp. This change had a positive impact, with the looser grasp letting the pencil flow more easily. The body was 'okay' though the head is still funky, to say the least! Overall, a fun exercise, as I took Liz's words to heart and didn't mind the outcome but rather focused on the process. In reflecting, my attention seems stronger, however, when I am able to look at the paper because I can compare the drawing with the object and make both mental and actual changes, thus cementing my concentration. With that said, I have yet to try this outdoors, and perhaps my blind contour drawing concentration will be more intent in the field, just because it *is* in the field and not an exercise done in the comfort of my home. Am curious to see if this proves true!

Since it is winter in my area, there are very few plants other above ground. I chose an garden art object to do an contour drawing. Again it was not an easy sketch, but fun to do.

Working through this lesson, made me realize that I could use more practice in eye/hand coordination. What was interesting was that after I worked with a pencil and then ink that using both tools my sketches seem to have the same distortions. I could tell that the sketches did resemble the provided photos.

It wasn’t pretty. I didn’t go outside to complete the assignment because of the snow and cold but did draw from leaves I had. It was easier because I was holding it and could sort of see a little out of the corner of my eye. I need lots more practice with this.

I really enjoyed doing this from a photo. I liked starting with the curvy newt. That gave me a sense of rhythm. Doing a contour drawing from an object with foreshortening and a lot of light and shadow was harder, but it’s such a great warmup to really see the shapes.

I like Prof. Fuller's suggestions to 'wanna be' field journalists and I will certainly find them useful. I will try to share more of the work I did PRE CORNELL & Fuller and hope she & others will give me the constructive criticism [which will be welcomed],but if I can get some my before and after work in the portfolio I'd appreciate an 'atta girl' if you all think its deserved.

Contour drawing was almost like becoming one with the object. It created interesting curves if not complete pictures.

I had computer resistance to loading my drawings, so I will just talk about them.  Difficult.  The good things that I did:  I got all the elements in terms of the right # of lobes on Columbine leaves.  However, the beginning points, which were meant to be in the same place as the ending points, never met.  My sense of proportion seems to change  the closer I get to the ending point.  Next time I will succeed at downloading my drawings.

This was fun as I had no expectations of the outcomes; no pressure. It helped me stay focused on my subject, but I was also trying to remember my placement on the page (muscle memory), which was distracting from the subject.      

This was tough!  I didn't succeed in connecting the start and end points in any of the drawings, and I was very challenged in my attempts to capture the width of the objects. But I recognize one or two elements in each drawing, and I see small improvements from one sketch to the next, so I am encouraged to keep practicing.

I was surprised that I got better as I tried drawing more subjects. Did I concentrate better or did I learn to judge where my hand was on the paper? Interesting! In all of my sketches, I finish lower on the paper than where I started; I never finished higher on the page. I wonder why?  Someone else commented ( and I agree)  that this would be a good warm-up activity before sketching.

I must say that it was not easy and it made me stay focused. Also, I caught myself almost drifting to see my progress, but I restrained myself. Haha 

It was great to not worry about the product (vraisemblance) and to focus on the thing itself.  I can see how this would connect hand-eye-brain-heart coordination.  I also enjoyed the invitation to look for positives.  Where did I actually slow down enough to record a line well?

This wasn't easy.  The best thing about this exercise - again is to help me become more observant.

This was an interesting exercise and I enjoyed reading and seeing others posts.

Countour drawing - This is very fun(ny).  In each attempt, I started with big motions, but ended with small lines - so the starting and end points were never very close to each other though several elements weren't too bad.  I enjoyed looking for any "this was decent" elements.  By the third example, I started intentionally trying to help my arm recalibrate to visual cue (ie., keep going, not big enough, not long enough yet) - that was helping.   I am actually quite proud of my tree-barn-silo that followed the initial exercises.  Interesting challenge.

I felt very relaxed with the contour drawing. Several times I found myself drifting off. It is pleasing to stay focused on the outline rather than fleshing out all the separate parts. I'll upload my photos on the phone.

I never can get back to where I started in blind contour drawings but I do find them helpful in focusing on the subject.

After a busy 9 or 10 days, I'm finally back to class! I had left off trying to do the blind contours, which were squiggly lines at best. Tried again and at least got a little better. I'm not brave enough to share mine! I remember doing this in a junior high art class and it is valuable, so I'll try again as times goes on!

Well that was interesting.  The drawings in no way resembled the majority of the pictures.  The salamander was close.  It did help me focus on the exact area to be drawn instead of the overall. Will have to keep practicing this technique.

That was an interesting assignment, I tried to focus on the details of the animals and plants, but I had a hard time reconnecting the lines in the end. In the end of each of my drawings, I had a concept of what it could be, but if I gave it to someone, I doubt they would know what I drew. Overall, it allowed me to understand the structure of the subjects since each of them had different curves and shapes.

That was a great exercise in not getting caught up in what your drawing looks like, sometimes I get so stressed about the drawing I forget to enjoy the observation. None of my blind contours looked like what I was drawing ,but the line was strong and I did get details that I might have overlooked if I was trying to make it look like what I thought it should look like, if that makes any sense. This also heightened my awareness of angles and small detail that made me ask questions ,not just how do I draw this? Perhaps I will do this before I start any drawing.

I'll have to overcome my use of jigs to constrain my work.      

Hahahaha  this was the best of the bunch. the bird looked like a bird and I found that I could get the first half much more accurately than the last half of each object.

There were some portions of lines that looked true and accurate even if they didn't meet up with the other lines! It seems like a good way to capture some of the angles and the trajectory of a line even if the proportions were right out the window.

I found the exercise challenging, and the results didn’t look even close to what I was suppose to be drawing.  But there are a few spots here and there I can recognized, so I guess that is encouraging.  Will just have to continue to practice.

Well that was frustrating , humbling, and a good exercise to loosen up, observe and enjoy the gestural quality of line. Also made me laugh. Love my Springbok drawing it reminds me of cave drawings.

I found this exercise relaxing. I wasn’t happy with the final result but I think it has value when out in the field.

I really had a lot of fun with this exercise.

Not only am I bad at this, I'm worse at it than everyone else who has had the nerve to submit their work. I don't have any recognizable parts to my drawings. I've done eight so far; no successes at all. Any hints or tips on how to do this?

I enjoyed this exercise, I think it is a good practice in slowing down and will be a good technique to lead with to warm up my hand in the field. The quality got better as I went on after working on a few of them, still finding my proportion of returning to my starting line can be way off. Looking forward to practicing this on 3D subjects.

It was difficult to refrain from looking. As I drew I suddenly felt the movement of the animal more than the actual form. I plan to practise this in my backyard while bird watching. (That is if it ever stops raining!)

So glad you  had us do 4 subjects because  I found myself looking at the subject  as a big shape immediately , and then looking at the other shapes within , before I started started to use the pencil.  As I drew, I was thinking of the shapes as I was seeing them and  I felt that this is how artists must see. My fourth picture really pleased me.  Thank you so much for this exercise.  It has made a big difference to me. I feel like I have begun to develop a skill. Amazing!It may look more like a kangaroo than a a springbok to most viewers , but to me it is a success!  By the way, as a lefty, I  remembered to start on the right side this time and that probably helped , too.    

Initially I didn't intent to share my results. Seeing what others posted inspired me to repeat the exercise, so thanks for sharing! Did anyone notice the odd shape on the springbok's back left upper leg? Do you know what it is or might might have caused it?

Found it difficult to not look at drawing on the newt this focusing improved as I worked through the following pictures. The results were in all cases hilarious , but in all of the pictures there were elements that I could recognize and felt that showed some control of hand eye combination. A exercise that also indicates the usefulness of the short staccato pencil strokes along with the need for constantly changing focus to attain accurate drawing.

I thought I was concentrating well and kept my eyes on the subjects but my goodness my results were hilarious.            

mines went really horrible, i think the only one was the bird of paradise flower haha i have to keep trying!!

Once again, share it if you’d like to. Do you think it helped you stay focused on your subject? Indeed it did! I discovered lots of things after this exercise. I can see clearly things I might not have noticed previously, like the effect of light and striations of my subjects things Prof. Fuller has taught us. My inability to judge distance and the amount of time I might need to complete any drawing are clearer after attempting this exercise and from the other things Prof. Fuller has taught us before using BLIND CONTOUR DRAWING. I'm not sure I cheated when I used my right hand as a ruler to simply keep my left hand on the page of my journal. It's a curious exercise and one I'll practice with. She's always so positive, but I was disappointed with myself. I won't give up though because the course is fascinating. I appreciate the work the other students are sharing and wish I'd taken art courses instead of language in college.

Anyone have tips for getting proportions accurate? Mine are all over the place.

Guys, look at my Springbok 😂😂😂  Cool excercise though!  I'm here to learn and I am loving it!! 

At the beginning a though it was difficult to draw without seeing, but after I started, I felt more confident and also relax. It was easier than I though, as you can keep your sight exactly where you are drawing the details of the shapes. This way of drawing the contours helps you focus really on the subject. I loved it.

My eye speed and hand speed don’t seem to match, producing distortion. My newt looked more like a flying squirrel, and some of my springboks are neckless while others look like giraffe x springbok hybrids.  I’m not sure if it helped me focus. I’ll keep trying.

Oh that poor bird!! Yikes! I admit I freaked out a little and drew that one too fast... Better try that one again... That felt better! I do like my bird of paradise, though... Springbok got kind of a spare tire... something weird happened with his hind foot... that one ear looks like a third horn... If you can't laugh at yourself, you're not having fun.

That was really difficult to let go of the outcome, but fun in the end. I like that it forced me to really slow down and try to coordinate my hand movements with my view. I liked my springbok the best!

LOL, I found myself stopping after doing a section to pick up my pencil and draw a new limb or section. It still came out looking funky!

I notice I’m better on the down strokes, less accurate on the return, or upstrokes.

I never attempted this before, an interesting exercise, my newt was pretty good in some parts, not so much in others, but the general body shape is there.

When there are many small appendages it's harder to draw without removing hand from page then when it's more of a solid mass like the newt, but you had to focus on both the subject and the flow of your hand so I'd think it's helpful when sketching a moving subject.