The Cornell Lab Bird Academy › Discussion Groups › Nature Journaling and Field Sketching › Giving Your Drawings Depth
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This was fun. I have been watching an "eagle cam" to practice gesture drawing and decided to use one with the Mom (?Dad) incubating the eggs (2), adjusting the grass lining of the nest. The most difficult for me was the feathers. I am still working on techniques for just giving the suggestion of feathers, not having to draw each one.
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The shape of animals always messes me up. It always takes me a long time to decide what the shape is. However, adding small, distinctive details helps me see what the animal is, like spots on feathers, bumps on skin, etc.
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I really enjoy going back to this sketch, I usually work with watercolors, and working with a pencil, gave me a different way to see those little details.
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This is gorgeous, Victoria! Love it!! This little wren is also my favorite. The first to sing in the morning, she motivates me for work each day! Beautiful!
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Negative space and portion are the hardest for me. I was wishing I had a blending stick for this on. The quick gestures and upside down drawing seem to be the most helpful.
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I've gotten interested in seeing and drawing negative space now that I better understand what it means. I also used the squint test to assess lights and darks. Getting proportions right is still difficult. Sighting with my pencil remains tricky. But I am trying to look more for how parts of the subject relate to each other. Above all, I think I need patience! Do a little. Set it aside. Then do a little more. I may not like what I am working on. But if I set it aside and come back, it may not seem as bad and I can see what I need to work on.
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I am using all the drawing skills you have introduced. I can see progress and improvement in seeing and capturing more detail. I am using negative space along with proportion and relationship of shapes and lines and feel it is coming together for me. I painted when I was younger but didn’t seem to have the time to work on it too often. I retired in April 3 weeks after the stay at home order. I have very much enjoyed sketching and working on my art again. I am having so much fun and I am sketching on a daily basis. I think this is the most helpful impact, just taking the time to sit and try to capture the birds or whatever I see. Pat
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Not finished yet, but progressing.
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I think drawing negative shapes is by far the most helpful skill for this exercise in my opinion. What was more difficult for me was measuring proportions.
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This course has just been so wonderful. I have never drawn a thing in my life but decided to take this course as a nature lover, and as covid pastime. It has opened up a whole new world to me on so many levels. Here is my fox:
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Love the Fox face
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I was wondering, are you drawing these images the same size as you see them? Or scaling up or down? is your image right next to your paper or in front of you? How might these ideas change the difficulty level of these drawings? I have trouble drawing something a very different size from its actual size.
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Getting the shapes and proportions right are the hardest aspects of sketching for me. I find I am using negative space more and it is helpful, and I like adding texture and value. My initial gesture drawing of the fox was very rough but had a certain dynamism which I am not sure is there in the more polished sketch.
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Sketches and refining a sketch. Proportions are very difficult
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Very nice duck
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The most helpful technique for me was using short sketchy lines
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Good use of values
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I find the right proportions difficult to achieve. The different ways for shading were most helpful.
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Like the gesture of the head / face
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I found that by adding depth to a drawing I observed the highlights & lowlights and overall more detail on my drawing . Still refining the shading technique.
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This was fun. Slowly getting better at drawing what I see. I’m still finding that drawing in the field is very challenging, photos are easier.. they don’t decide to leave just as you get started 🙂. Jen
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Looking through my journal, I decided to refine the 30 seconds gesture sketch of the Road Runner (June 15, 2020): I wanted to compare how I looked at & sketched an image/subject in 30 seconds then how I looked at it and sketched it with an unlimited time (took me around an hour and a half to finish it). I think when I did the quick sketch the “feeling” of its speed was visible n the sketch’s crown, however, In reality it isn’t visible as much. I’m wondering now, how much do we add from our own memory and interpretation of a behaviour while sketching? If there was no photograph would I be able to sketch at such accuracy? The most important and helpful technique was the measuring proportion and the lighting and shades. I used fine liner pens (0.05 & 0.1) for this sketch, which were 7 colours: Grey, Black, Dark Grey, Sepia, Bright Sepia, Red, Blue + a yellow coloured pencil for the eye. I tried to be aware of other techniques while sketching but I couldn’t. I was thinking of looking at the overall subject without its details, but I’m not sure if i did it consciously or i missed - cause the moment I start sketching I went deep into and I lost track of techniques used! This is the final image:
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I like it very much
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Oh my...cute roadrunner. Like how you did the shadow.
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I enjoyed the process of going back to refine the sketch from the gesture drawing session. Make me realize how hard it is to get things down on paper accurately in such a short period of time. One of the aspects that really drew me to the course was learning the skills to draw birds in the wild. Now I feel like practicing gesture drawings and then refining them with photos of that species will help make my drawings spontaneous, lifelike and accurate. I must agree with the others that this bird's bill was difficult! Had to refine many times. It's perspective and dimensions are just a little off what your brain wants them to be.
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Hi All, This is my drawing. I have found very boring to draw birds. There is too much complexity for me to observe and lack of confidence in drawing that a project like this has demotivated me to learn and to progress this course. I have decided to do it and I will see what you have done so far.
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Open beak was bit challenging. Useing negative space technique was very helping thought.
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Hi Hiromi, Fantastic details of the wren. I really love the amount of detail you have in the head, eye, & beak. Very realistic!
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Wow! This is fantastic! Kudos to you for producing such a realistic drawing!
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Beautiful drawing
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Wow!
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Learning to measure proportions has definitely been one of the biggest factors in improving my drawings. Observation, and taking longer than a very few minutes to finish, which has always been a huge problem for me. If I didn't take much time I could always use that as an excuse.
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