My references were yours sugestions. I think my palette of the bird is fairly accurate. Reserve the space for the white on the wings was the most challenging. The landscape was much more difficult to do. I see too much colours and hues that I need to expand the picture too wide, to do it well. Even so, I share some of the most common colours of the picture in the palette I created.   P.S. I noticed that under the wing of the bird colours is diferente than the one I use for the whole belly. PPS: The colours of the pictures uploaded are different from the original one's.

I have tried watercolor before.  I never felt that I could accomplish what I set out to do.   I've purchased many books and have followed instructions as closely as I could but never seemed to get the results I wanted.  I like Liz's teaching method, her demonstrations are clear, and I liked the way she showed how to mix colors and get the colors as close as possible.  Liz's explanation for tints, tones and shades was very helpful for me as well, and I've practiced by making a color wheel with primaries, secondaries, and tertiary colors. I made primary & secondary combination squares, and mixed primary & secondary colors.  This has been a great experience for me.  My bird watercolor was pretty straight forward and I was able to mix the colors that seemed to match the photo reference and added the palette to the border of the picture.  I had trouble with the landscape, the sky ended up muddy, and I didn't feel as good about it as I did with the bird.  I had so many color mixes and ran out of enough color for each section so I kept making a new mixture and finally gave up trying to put the palette down onto paper. It's such a small painting, 1/4 sheet of 9"x12" paper, how do you ever do it on a full sized page?

I drew the American Wigeon duck trying to show how sunlight coming from the right side makes the greenish color on the duck's head seem to almost glow.  I used viridian green and hansa yellow light to make the bluish green and then added payne's gray to darken the green.  I used burnt umber and burnt sienna to create the brown for the rest of the head and the top of the body.  I'll continue working on it, but it was fun to see how to make the lighter color seem to glow by adding more darks around it.  --Trudy

Have not used water colors in over 15 years, always painted indoors using a photo, what was difficult was painting in full sunlight, and focusing on just one or two flowers even though there were several there, had to also deal with the slight movement from the wind.  I was happy with some of the colors but just could not get the flowers that had already lost their color, drying out.  Loved being outside!

Definite room for improvement!  I thought I was starting with a simple, not too difficult group of colours to mix.  But I have a bit of a challenge with purples.  My pallet doesn't have a purple, so I started mixing reds and blues and there were lots of "mud" colours as a result.  I didn't notice the colour of the surf around the rocks until much later in this process, what a great discovery!

I love the water filled brushes.  I've never tried them before.

I did a medium-thick line, interpretation. I put in the sun, to practice lights.

So rusty.  Thanks to Bird Academy for getting me to get my paints out again.

This was not my first time using watercolors and the tips were great. Easier than expected. The color palette I chose was from a photo of a meijiro in cherry blossoms. The colors came out well. I dont think my lightest pink was  light enough, however. Sometimes when mixing a color I found I had to think carefully what other colors were underlying.

This was my first experience with watercolor. I've always shied away from the medium. It was easier in some ways and more difficult in others. I'm used to working with more opaque paints. The transparency of watercolor is intimidating, but I can see where it could be beneficial for some applications. Color mixing went fairly well, but I'm used to mixing colors in other mediums.

Yes, not since childhood have I used watercolors. I'm not finding it too difficult to mix the colors. For my own color palette I chose winter holly leaves, with part green, deep maroon/purple, with some brown parts. They are subtle colors, or colors with subtle differences. Olive, crimson, purple violet, and black seemed to be all I needed to work up four colors. I'm finding that my work with the color sliders in the HLS panel in Lightroom has helped me identify the colors present, especially in photographs. It's surprising sometimes to slide a slider and find no change because that color isn't present. Often it's the subtle shades of yellow that masquerade for green or red.

I really enjoyed mixing colors. I find I need better brush control.

Wow, I'm really enjoying this but it's a lot harder than I thought it would be.  I love the attention to detail and am trying to spend the time to practice the skills we've been taught.

Never have worked with watercolors before - well as a kid, but I don't think that counts!  Anyway, I am having fun with the mixing etc, but I keep finding that I end up with a washed out color.  Maybe adding too much water.  I did not try to do the whole pics - just made palettes for each picture as that seemed to be more my speed.

My water colour set has 8 colours which is forcing me to blend more and I have had to borrow some white acrylic to made the tints. Very good exercise.  The landscape was especially tough,  not only different coloured leaves but the sun on the leaves added a lot of other tones. Thanks to folks for sharing. Good to know we are all at variable levels and that it will take practise. 

I have been trying to learn how to use watercolors, but it is challenging. I worked on this finch until  I realized I had forgotten to leave the crisp white edges of the feathers unpainted. Colors are not as true as I wish, the red brown was especially hard to try to match. Still do not understand which colors to mix to create my desired color. The red-brown for example was too gray, add red? or yellow? I will keep at it!

I'm enjoying this but am a total novice--have not used water colors at all (as an adult). Even the bare mechanics are a bit of a challenge: for instance, the thread on my brush seems off and I can't screw it on tightly. Nonetheless. color is amazing and I'm enjoying stepping into it.

This was my first watercolor since second grade. I thought by restricting my effort to one tree, it would be easy to mix a few shades of green. But there are so many shades of green in this Western Red Cedar and the low angle of the sun this time of year in Seattle added even more variation. I was able to mix a light gold for the side where the sun was hitting the tree, but I never got a dark enough green on the far side; I just kept getting black rather than the dark green I wanted. As far as technique, I had trouble transferring a sufficient amount of color to the plastic palette so I could mix up the amount of color I would need--I need to work on that, too. As far as patterns of color, I should have been more methodical and gone back to the first color lesson. I should have mixed a variety of tints, tones, and shades since this is all so new to me. But, it was really enjoyable and I learned so much.

I have used watercolors before, briefly, but never really spent time learning to mix colors.  Previously, I would use a "close" color from the colors I had, but not spend the time to mix my own. I was definitely able to achieve the colors I wanted, and found that the exercises on tint, tone, and shade made a huge difference for me in getting the colors "right." Focusing on colors forced me to think about tint, tone, and shade, as well as color gradations.  Learning how to mix colors was actually quite exciting for me because I now realize that I can create virtually any color I want with a few basic colors.  It will radically reduce the size of my field drawing kit, as well!!

I will admit - this lesson was a little overwhelming. I have never tried watercolors or painting.  I did mix watercolors and was able to match a few of the colors in the sample finch. that allowed me to see the value of mixing.  The mountain scene is beautiful - but there are SO many shades and nuances in shadow and light that I didn't even really know how to start.  In the end, I decided to do a bit less mixing and play - so that I might start to learn from this raw start - how to handle a brush, what happens with this or that stroke, how does the color change as it fades and is that fading useful as a possible tool?   etc.     I have glanced now at the next lesson so I see some technique is coming and I look forward to a making gains.