The Cornell Lab Bird Academy › Discussion Groups › Nature Journaling and Field Sketching › Illustrating the 3D World
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One of my favorite drawing techniques was blending. Drawing with 3D isn't exactly new, but its exciting to refresh skills.
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Looking at 6 different methods of shading has, I feel helped with understanding how to draw objects and render them to look more three-dimensional. Still, though, this technique could use more work and I will continue to practice with it. When I lok at items I have drawn, attempting to pay attention to chiaroscuro, shading, and other methods to make it look three dimensional, I see just a flat image that's darker in some areas than others, I need to continue working to fully show these objects as they are.
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Learning about chiaroscuro helped me place the light and dark areas on my paper more precisely, but I definitely need more practice.
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Was fun looking for the various parts of the chiaroscuro. I was curious that my mango had another band of shadow below the reflected light - I think it might have been reflected off the darkest cast shadow? I was glad for the freedom to experiment with the different types of marks - sometimes the hatching was enough, but I found myself cross-hatching and scribbling too. I appreciate others' comments on the difficulty of finding the chiaroscuro in a highly textured object!
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I did not care for my former attempts at creating three d. I am blaming it on the 10.5 inches of snow. I went to the Audubon center that is near and sketched the bear. Hope this is better.
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I remember this being hard in my high school art classes, and it certainly hasn't gotten any easier. I feel like it got a little easier with each attempt, although I certainly have a long way to go! I also want to work on my light, sketchy marks -- my tendency is to go too heavy and dark right away.
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I like the looseness of this rendering. It makes me want to give scribbling another look!
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Very fun...but not very realistic...not a chicken! it is an onion!! ha...I loved learning about Chiaroscuro. I love that kind of information because it helps me to better understand what I'm seeing.
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For me this is a whole new way of looking at things. I can see how the different shading and blending techniques really make a difference in your drawings. Lighting makes a difference too. Today was very cloudy and the lights in my office were casting weird shadows which made it difficult for me to see some of the highlights and shadows.
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I like being able to use different shading techniques, and especially the blending which is new to me. Thank you. I found that some objects are easier to shade/shadow than others. For example, a lightly tanned potato was difficult because the smooth skin mostly looked the same from any angle. The image inserted below shows what I selected as a difficult object--for a beginner--to draw, namely a piece of firewood (which I had sawn and chopped for our wood stove!) I would appreciate a critique, please. When all the colors are similar shades of brown and gray, how do we differentiate? Suggestion: Could Liz or a colleague present a demonstration video on how to shade complex objects, such as a log?In other words, could the class have an additional video that applies our basic skills in shading the ball, chiaroscuro, to show how to tackle a more difficult object, please?
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Very good question! I've often wondered how to differentiate between shadow and color in a black and white drawing -- hope someone has an answer. Your log is beautifully rendered, and I think you could have gone even darker in some sections.
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these are garlic and tomato, I wish they'd look more 3d. Need more practise I guess!
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I can see the changes in light on objects a lot more now. My eye searches for the different shades in the shadow too. I am drawing objects to compare shading so yes drawing a lot more than I ever have before and enjoying learning about light reflection. I have never studied that before now.
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I guess rome wasn't built in a day. They are very rough but I did learn alot in this exercise. It's fun to look at the variations in light and shadow. I'm not a very good artist but as soon as you apply some of the shadows it gives your drawing a more lifelike appearance and makes it pop. I definitely need more practice but am looking forward to applying the concepts in my journal.
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This one was fun too! Trying out these drawing skills, and with squinting it is easier to see where the highlights, light, and shadows should be placed. I am beginning to feel more comfortable putting marks on the page, and realize I'm not being graded or in a competition makes this fun and worry-free. I think I need to continue to work on this, as well as the other skills being taught in this course. Practice, practice! Thank you Liz for this course. I initially signed up to help deal with stress, I love to draw and watercolor, but need more help in improving my work. I also love nature and getting outside, so this is a win-win for me.
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My delicious mango... It was easy to see where and how the textures were, and I feel a lot more comfortable putting marks on the page. I also think that I need to work on shading and the shadows.
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This is a challenging exercise, especially when applied to objects other than a shiny sphere. The squint test is incredibly helpful. It has been so interesting to look at the world as variation between light and shadow.
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This is always a tough one to learn. More practice needed.
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This was a great exercise! I have never sketched in my life. I love nature, gardening to attract pollinators, nature photography and bird watching. I saw this course and thought I would try it to relieve stress and I loved the idea of journaling and sketching. So I decided to draw a single eye from a barn owl. It was fun and learning about depth of field is exciting. Thank you Liz for this course.
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