Sound Visualizations from Chapter 10, Avian Vocal Behavior, Handbook of Bird Biology, 3rd Edition
Chapter written by Bruce E. Byers and Donald E. Kroodsma

Throughout this chapter you will find references to songs and calls that will help you understand vocal behavior in birds. To get the most of out of this material, animate and listen to the associated sounds, listed here in the order they appear in the book.

Media library for all Handbook chapters

Fig. 10.02

Three ways to visualize a vocalization. Here, the “hey‐swee‐tie” song of a Black‐capped Chickadee (Poecile atricapillus) is represented three different ways:

(C) Modern spectrograms often use color to represent sound intensity (the brighter the color, the higher the intensity).
 

Matthew D. Medler, Macaulay Library


Fig. 10.03

Pure whistles in the song of the White‐throated Sparrow (Zonotrichia albicollis). Males sing whistled notes of distinct frequencies that are traditionally transcribed as “poor old sam peabody peabody peabody.” The individual triplet notes within each “pea‐bo‐dy” are easy to distinguish in the spectrogram, but more difficult to hear.
 

Geoffrey A. Keller, Macaulay Library


Fig. 10.04

Woodpecker drumming differs by species. Many woodpeckers drum at a species‐specific rate that is easily discernible in spectrograms. Note the wide frequency range of the noisy sounds in the territorial drums of three different species:

(A) Downy Woodpeckers (Picoides pubescens) drum at a rate of about 15 drums per second.
 

Gregory F. Budney, Macaulay Library


(B) Hairy Woodpeckers (Picoides villosus) drum at a faster rate of 26 drums per second.
 

William W. H. Gunn, Macaulay Library


(C) Yellow‐bellied Sapsuckers (Sphyrapicus varius) have variable drumming rates, often slowing down at the end of a series of drums.
 

Wilbur L. Hershberger, Macaulay Library


Fig. 10.05

Dissecting the components of a Common Yellowthroat (Geothlypis trichas) song. In the spectrogram, repeated “witchy” phrases are easy to discern. Each phrase can be further divided into three notes, “witch‐i‐ty.” You can hear these features even more clearly by comparing the normal song to recordings that have been slowed to half and quarter speeds. Note that slowing the speed causes the pitch to drop.

(A) Normal Speed
 

Wilbur L. Hershberger, Macaulay Library


(B) Half Speed
 

Wilbur L. Hershberger, Macaulay Library


(C) Quarter Speed
 

Wilbur L. Hershberger, Macaulay Library


Fig. 10.06

Pacific Wren (Troglodytes pacificus) songs are remarkably complex. This spectrogram shows the diversity of elements in this tiny wren’s long and complicated song. Includes both regular and slowed (half and quarter) speeds, which reveal even more astounding detail.

(A) Normal Speed
 

Geoffrey A. Keller, Macaulay Library


(A) Half Speed
 

Geoffrey A. Keller, Macaulay Library


(A) Quarter Speed
 

Geoffrey A. Keller, Macaulay Library